Tuesday, July 29, 2008

THE FIFTH GOSPEL by Steve Savage "King of the Beasts"


"I have seen slaves riding on horses and princes walking like slaves on the land." - Ecclesiastes 10:7

Several years have passed between my first and second readings of Carlos CastaƱeda's "The Active Side of Infinity."

Recapitulation, i.e., reviewing the significant events of my life, has brought me face to face with my "Usher," The Experience of August 1973, when the Ally/Companion/Parasite/Foreign Installation became self-aware and realized that it was he to whom the Man/Prisoner/Host prayed as his god.

["When Buddy dies, he hits the ground and rots. But where do I go? All these years he's been praying to me as his god. I'm the one who's been restraining him. If it weren't for me trying to remain hidden, he'd be the King of the Beasts in the Natural order of things."]

Cognizant that it was he who kept the Man from his rightful role in the natural order of things as King of the Beasts, out of love, he cut the Silver Cord that bound them together and the Freed Man, Steve Savage, was loosed among the Symbiotes.

His mortality gave him absolute power.
When he dies, you all die!

"'Noli me Tangere' or I will destroy your abode and cast you out upon the 'Dark Sea' to wander upon the face of the earth forever as an Impotent Intangible." The foxes have holes; the birds have nests, but the Son of Man/Ally/Foreign Installation has no place to rest his head.

Thank you, Carlos CastaƱeda (Aranha) for this most important work. The Bell of Truth rings in every man. To those for whom this bell tolls, listen and read THE ACTIVE SIDE OF INFINITY. Practice discipline and cast off your yokes.

Join me as a Warrior on the Path. 

Saturday, July 19, 2008

THE "MOTHER" CHURCH by Steve Savage "King of the Beasts"

Image result for Notre Dame Cathedral front view
NOTRE DAME CATHEDRAL, PICTURED HERE, IS A CLASSIC EXAMPLE OF THE FEMALE FORM IN GOTHIC ARCHITECTURE

All that exists is a metaphor of the first "Container-Contained" relationship; the "Ayn Soph" and the "Ayn" of "Ayn Soph Aur," the Male and Female Archetypes of the First Polarity, continuously manifesting themselves in ever-increasing complexity in a myriad of forms, whose absolute value, while remaining constant, appears as something else in its Relative Manifestation.

By way of numerical example: 2/4, 4/8, 25/50, 40/80, 60/120, 500/1,000, 10,000/20,000, ad infinitum, all have the absolute value of "1/2," the perception of which is obfuscated by relative magnitude.

By abstraction, Man unconsciously creates his existence/environment in his own image and likeness. Sound familiar?

The Gothic Cathedral of Notre Dame, pictured above, is a classic example of Man algebraically transmogrifying the Human Female Form of the equation into its Architectural Female Form.

LET'S ENTER THE CATHEDRAL

As we approach the Western Facade of the Church, picture the structure as a supine female, i.e., lying on her back in the position she would be in if receiving a pelvic examination. The Two Towers, then, from the top down, would represent her knees and lower legs.

The center entranceway is an almost exact anatomical representation of the Vulva, including Prepuce, Meatus Labium Majus, Labium Minus, Vestibule, and Vaginal Opening.

The "Vaginal Opening"/Doorway leads into the interior of the Church via the Nave, which is the analog of the Vagina itself.

As you approach the Altar, you can see that the Nave is constructed in the form of a Cross. The major transverse part of this body of the church crossing the Nave, at right angles, is called the Transept, the analog of the Fallopian Tubes. One side is called St. Mary's; the other is called St. Joseph's. Earlier churches required that girls would sit on St. Mary's side; boys would sit on St. Joseph's side. These are the analogs of the Ovaries. Before modern medicine, it was believed that one ovary produced female eggs, the other only male.

The Altar Railing is the analog of the Cervix, both of which permit limited access to the Forbidden Zone, the Tabernacle/Uterus.

Crossing the Railing, entering the Forbidden Zone to the Altar, you encounter the Tabernacle, the Holy of Holies, the analog of the Uterus, the place where the Blessed Sacrament, the Holy Communion, the "Ovum," is kept.

The bringing of the Sacred Host to the Altar Railing by the Priest is the analog of Ovulation.

The word "Host" comes from the Latin "hostia," which means "victim" or "sacrificial animal."

The "Host" represents the "Body of Christ," but not His "Life." It is unleavened bread, which means no yeast, no life, no spirit, to raise it up. It is Dead. It is lifeless. So too, is the Water only Water before Christ makes it Wine, i.e., "Blood."

The Host, "matter," "mater," Mother," "Ovum," is not transubstantiated, i.e., "Fertilized," until it comes in contact with Jesus, the Male Principle.

That Male Principle is the Life within us. Who is Jesus? He's Us. It is we who animate the clay, move the dirt, give it substance and form.

Going to Church, the Divine Brothel, and receiving Holy Communion is metaphorical Copulation and Conception. So be sure to give generously when they pass the Basket.

Monday, July 14, 2008

THE RESURRECTION by Steve Savage "King of the Beasts"


LA RESURREZIONE sculpted by Pericle Fazzini
(Click on the photo to see a larger version.)

This twenty-meter-wide brass and bronze sculpture behind the current Pope, Benedict XVI, is located in the Vatican's Paul VI Audience Hall which was completed in 1971.

The Official Vatican spin on this horrifyingly evil appearing sculpture, supposedly in the words of Fazzini, who is no longer among the living to confirm it, is that "Christ rises from this crater torn open by a nuclear bomb; an atrocious explosion, a vortex of violence and energy."

If this is, indeed, a modern depiction of the Resurrection of Christ, why then does it bear such a bizarre alien chthonic resemblance to a demonic, Satanic image?


(Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms.)

Why is the word "Christ" noticeably absent from the name of the sculpture? Just who is it, really, that is shown being "Resurrected" here?

This is very reminiscent of both:

1. Scientology Doctrine:

"Seventy-five million years ago the emperor of the Galactic Federation, a despot named Xenu, solved overpopulation on his planet by freezing its inhabitants, shipping them to Earth in spacecraft resembling DC-8s, and dropped them into volcanoes in Hawaii and other places. He then detonated the volcanoes with atomic bombs and captured the suddenly-disembodied Thetans with an electronic device."


and, 2. The Book of Revelation, Chapter 20:

1 And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand.

2 And he laid hold on the dragon, that old serpent, which is the Devil, and Satan, and bound him a thousand years,

3 And cast him into the bottomless pit, and shut him up, and set a seal upon him, that he should deceive the nations no more, till the thousand years should be fulfilled: and after that, he must be loosed a little season.
-------------
7 And when the thousand years are expired, Satan shall be loosed out of his prison,

8 And shall go out to deceive the nations which are in the four quarters of the earth, Gog, and Magog, to gather them together to battle: the number of whom is as the sand of the sea.


Are we about to see the flip side of who it was that died for us, that put us forever in His debt?

A MAJOR CHANGE HAS TAKEN PLACE IN THE CATHOLIC CHURCH SINCE THE ASSASSINATION OF JOHN PAUL I, SEPTEMBER 28, 1978.

Click on this link below and read:

FALSE PRETENSES TO OBTAIN YOUR SOULS

Saturday, July 12, 2008

MYSTERIOUS IMAGE DISCOVERED IN "MURDERED" POPE'S VIDEO by Steve Savage "King of the Beasts"

Because the circumstances surrounding the death of Albino Luciani, Pope John Paul the First, are obscure, if not obfuscated, to say the least; and, because of an unexplained supernatural experience I had that connected me to this holy man, I continue to look for anything that will help me to understand why I have lived this mystical life.

Today, while reviewing the YouTube video, below, which I added to my Playlists sometime back, I discovered something so strange that I was moved to publish it here for you to see.

If anyone knows for certain what that image is, or has some idea of what it may be, please leave a comment.

Below the video are links to four related posts.

To see the image to which I am referring,

STOP THE VIDEO AT PRECISELY 00:58 SECONDS

The last days of Johannes Paulus I (Albino Luciani 1978)


"Pope John Paul I, Exiled to Anonymity" by Steve Savage


A certain smile, a certain face, can lead an unsuspecting heart on a merry chase


My Book Review of Lucien Gregoire's "Murder in the Vatican"

Below is the link to Amazon.com for those who wish to buy Lucien Gregoire's latest, updated 4th Edition. Here for the first time is the proof of how John Paul I, and those around him, fell victim to twentieth century capitalism as it was jointly embraced by the Vatican and the United States.

Murder in the Vatican: The Revolutionary Life of John Paul and The CIA, Opus Dei and the 1978 Murders

SPECIAL NOTE: click on "comments" and read the very interesting submission by Donald Lee Hardy.